ALBUM REVIEW: “… of Mourning” by Psychonaut 4

Psychonaut 4’s "...of Mourning" marks a return that is not just an evolution in their depressive black metal sound but a profound dive into human vulnerability and emotional turmoil. Now, if you know me, then you know that Psychonaut 4 has been with me for a long time, everywhere I went. When "Dipsomania" came out, I carried the songs with me everywhere—from the crowded city streets to the solitude of forests and mountains, where their music became the soundtrack to countless moments of introspection. With "...of Mourning", that same connection resurfaces, but with an even darker, more introspective edge.
Psychonaut 4
Psychonaut 4

Psychonaut 4’s “…of Mourning” marks a return that is not just an evolution in their depressive black metal sound but a profound dive into human vulnerability and emotional turmoil. Now, if you know me, then you know that Psychonaut 4 has been with me for a long time, everywhere I went. When “Dipsomania” came out, I carried the songs with me everywhere—from the crowded city streets to the solitude of forests and mountains, where their music became the soundtrack to countless moments of introspection. With “…of Mourning“, that same connection resurfaces, but with an even darker, more introspective edge.

... of Mourning

The cover artwork for “… of Mourning”
© Ronarg, Mako Lomadze and WrathDesign

The album begins with “Ghele” a brief yet deeply intense instrumental that establishes a haunting tone for the journey ahead. Steeped in sorrow, “Ghele” is crafted to stir something profound within—and it absolutely succeeds. It’s a compelling introduction that sets the mood, priming the listener for the heavier, more intense tracks to come.

The second track, “Mzeo Amodi, unravels gradually, and for me, it was a piece I had to return to several times to feel its full weight. The first listen left me speechless, and even now, it feels like there’s something just beneath the surface that remains to be uncovered, an essence that eludes full comprehension. Lyrically, “Mzeo Amodi” weaves a complex web of despair, hope, and introspection. It speaks of sleepless nights, memories of pain, and the lingering ache of bitterness. “You will remember this pain tomorrow too/ You will lose sleep for a long time/ And if you have the strength/ You will forget the bitter thirst”—now this stanza delves deeply into the enduring nature of suffering, suggesting that the pain experienced isn’t a fleeting feeling but rather something that imprints itself over time. “You will remember this pain tomorrow too” acknowledges the inescapable reality of emotional wounds that linger, intensifying the hopelessness. It also hints at a haunting quality to this pain—it’s persistent, resurfacing daily like a shadow that one can’t outrun. The next line, “You will lose sleep for a long time”, evokes the exhaustion that comes with sleepless nights weighed down by inner turmoil. It’s as if pain itself denies rest, intruding into what should be a space of reprieve, becoming a relentless reminder of one’s emotional state. Then there’s a sense of conditional resilience: “And if you have the strength, you will forget the bitter thirst”. The “bitter thirst” could symbolize a longing or need that’s almost impossible to satiate, be it for relief, peace, or something lost. Forgetting it requires immense strength, a feat in itself, almost as if endurance is both a blessing and a curse. It’s a potent exploration of the exhausting struggle to find peace amid deep, recurring suffering.

The next tune, “Fiqrebi Mtsukhrisa“, emerges as a poignant reflection on loss and the weight of despair. The opening lines—”In silence, the tongue becomes mute”—set the stage for an exploration of isolation, where words fail to express the depth of emotion experienced. This idea of silence amplifies the feeling of being trapped in one’s own thoughts, unable to articulate the pain that surrounds them.

The stark imagery continues with “The sun is not visible in the darkness”, suggesting a profound absence of hope or light in times of sorrow. It captures the essence of feeling lost, where warmth and comfort are distant and the road ahead feels abruptly cut off, as noted in “The road ended in a rush”. This line speaks to the suddenness with which life can change, leaving one in a state of disarray.

As the song progresses, the refrain—These thoughts, these eyes, these days/ Must end, end, end!”—carries an urgent plea for release from suffering. It emphasizes the repetitive cycle of sadness that the narrator grapples with, echoing the feeling that mourning can feel like an unending journey.

The phrase “Spirit got separated from the heavenly soul” suggests a disconnection from something pure and transcendent, emphasizing the depth of the emotional crisis. This imagery resonates with the overall theme of loss, making “Fiqrebi Mtsukhrisa” a deeply affecting exploration of the darkness that can envelop one’s existence while hinting at the fragility of hope amidst despair.

Just when you think “Fiqrebi Mtsukhrisa” has delivered all its emotional weight, “Vai Me” steps in to leave an even deeper impact. The opening lines—”Do you expect me to be sad or hopeful?”—set a tone of ambivalence, encapsulating the struggle between these contrasting emotions. It screams of the narrator’s strife being caught in a liminal space, unsure of how to process their feelings. As the lyrics unfold, the phrase “They die, I believe they are born” introduces a cyclical perspective on life and death, hinting at the idea that loss can lead to new beginnings. The juxtaposition of death and rebirth provides a glimmer of hope, even as the narrator wrestles with their sorrow. The imagery of tearful eyes—Eyes turn themselves tearful”—evokes vulnerability and the pain of longing, painting a picture of someone who is acutely aware of their emotional state. Musically, “Vai Me” contrasts deep, baritone clean vocals with higher, raw snarls, creating a rich sonic tapestry that enhances the emotional weight of the lyrics. This dynamic interplay mirrors the internal conflict expressed in the words. The combination of melodic refrains and haunting vocalizations evokes a poignant sense of longing, making it feel like a farewell to something deeply cherished yet lost.

Oh, and one more thought: The lyric video for “Vai Me” beautifully complements the song’s exploration of vulnerability and longing. With its striking visuals, it captures the essence of the lyrics.

Going further, “Sizmrebshi” explores the complexities of love and heartbreak, presented through poignant Tbilisian lyrics that convey deep emotional turmoil. It is about forgetting the past, but in a sorrowful way. This struggle is articulated through lines that reflect a sense of yearning and regret, highlighting how memories can haunt one’s present. The repetition of “დაივიწყე” (forget) underscores the difficulty of moving on, suggesting that the past is not easily erased. The vivid imagery of memories and feelings emphasizes the internal conflict between the desire to heal and the lingering attachment to someone who is no longer part of their life.

Dzilis Tsameba” carries its own weight of sorrow, likely focusing on the themes of loss and longing as well. While the lyrics are not provided here, it is essential to consider how it might follow the emotional trajectory established in “Sizmrebshi”. If “Sizmrebshi” grapples with the aftermath of a love lost, “Dzilis Tsameba” could delve deeper into the process of mourning and acceptance, potentially providing a cathartic resolution or further exploration of despair.

Together, these tracks contribute to the album’s overarching narrative of human vulnerability, highlighting the struggles inherent in love and loss.

Is There More to Add?

It is. The choice of artwork for “… of Mourning”, released on October 25 via Immortal Frost Productions, struck me deeply, especially the story behind it. Featuring S.D. Ramirez’s grandmother, Nona Gorgaslidze, this personal connection adds a unique and powerful layer to the album. It’s not often that I come across such meaningful narratives in music, and this one truly enhances the overall experience, making it feel even more intimate and special.

Tracklist

“Ghele” [01:40];

“Mzeo Amodi” [08:14];

“Fiqrebi Mtsukhrisa” [07:54];

“Vai Me” [07:53];

“Sizmrebshi” [08:24];

“Dzilis Tsameba” [07:21].

Get in Touch with Psychonaut 4!

Youtube: https://www.youtube.com/channel/UCQwtF00PZzGGABjV2m-yG2A;

Bandcamp: https://psychonaut4.bandcamp.com/music;

Facebook: https://www.facebook.com/psychonaut4.official;

Instagram: https://www.instagram.com/psychonaut4.official/.

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